we'll have an exhibition next year that's masterpieces from our national gallery in washington, d.c. but the 85 works on the water come from all over the world. you can think about if you're hosting visitors from another country and they're coming from all over the place. this actually is a painting by renoir. the boat we're looking at we have a real life size boat of that very same type at the entrance to the show. >> wow. okay. this is really taking on dimension here. with the curators, assume you have to have a relationship. obviously there's trust involved that everybody is going to handle these masterpieces that are irreplaceable with the utmost of care. >> absolutely. >> that said, do you have to deal with -- i don't know, would it be egos of curators? who gets to be first, who gets to be last, who gets stuck in the middle, do i have a good shot? once you get the art, in terms of placement. >> sure. well i think as curators our job is to care for the works of art. we try and suspend our egos. i don't think we'd get any work done. this painting, talking about egos. this artist,